Plant Wide Web is the result of research into the relationship between nature and technology. The author focuses on the art of new media using creative programming.
Portfolio Category: Art
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NerudAI
Computer poet using artificial inteligence
Jistě jste se někdy setkali s jednoduchými básničkami generovanými počítačem – většinou jde hlavně o to, aby se rýmovaly a myšlenka v nich není. Naším cílem je něco jiného. Experimentovali jsme s učením počítače jak má vůbec čeština a poezie vypadat. NerudAI používá hlubokou neuronovou síť typu LSTM, které jsme ukázali několik set tisíc amaterských volných básní z hlubin českého internetu. Nejen že se naučil sám česky, ale také dokáže občas udržet nit nějaké zajímavé myšlence. Jelikož většina amatérských básní byla smutných, občas máme pocit, že dokáže smutkem vyrovnat robota Marvina ze Stopařova průvodce galaxií. Schválně – nechte si napsat básničku.
How to get a poem?
Our network unfortunately works only in czech language – but you can generate a poem for your Czech friends – just hit enter button on the keyboard and wait for your poem to print!
Pressing enter lets you write a poem on a random topic. In case you want to enter the topic and the name of the poem, just type it on the keyboard and after pressing the enter key, NerudAI tries to put a poem on your topic. But we have to say that the results with random generation are better. In case you do not print, please call someone from the festival and he will help you.
How does it work?
LSTM síť se v podstatě učí posloupnost čísel – v tomto případě jsme celou abecedu reprezentovali jako vektorovou číselnou řadu. A postupně jsme síť učili, jaké znaky jdou po sobě. Celý systém
generuje jeden po druhém následující znak v řadě – takže se systém sám naučil česky a dokáže si občas vytvořit vlastní slovo. Jedná se samozřejmě spíše o vtipný experiment, který pracuje s velkou
mírou náhody – proto se z výsledků musí často hodně vybírat. Občas ale systém složí něco velmi zajímavého. -
deLight
Berouc lidskou touhu jako inspirační prazdroj estetiky, je projekt deLight fragmentem živlu, který obepíná modulární svět a svádí k různorodému vnímání tvarů. Výsledkem je hmotná architektura, socha, prostorová a světelná hra s použitím specifického materiálu.
Světlo/zvuk: The Manifesto (Luboš Zbranek, Michal Mitro)
S podporou Fakulty architektury VUT -
Inside
The skull is perhaps the most complicated, tantalizing and at the same time certainly a horrifying, exciting part of the human skeleton. Nothing is so unambiguous on the remains of a man, but also anonymous than the loose and loose head. More recently, it was what individualized us, what we were distinguishing and learning among ourselves … The skull / skulls are so similar, so unfortunately unifying. Uniformizing death, transience, and vanity, in which we are all equals in the end, because we are actually the same. Our "portraits" are at the same time self-portraits of all of us. This terrible inevitability of a common future destiny in which perhaps the consolation may be the idea that we do not know and we do not know when it will be completed … "
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Magic Forest
The play of lights and sounds brings visitors to the environment of interactive devices that respond to the changing conditions around. The visitor has the opportunity to become a part of the sphere, discover and co-create this world of lights and sounds.
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Projectorism, 1/38
Replacing a classic of the same projected medium (the film strip) into a medium volatile and always variable, forced into always like, never-identical or repeatable shapes. The projection is controlled by one viewer that moves the segment to the direction of projection and movement of the projected media within the projector. Every second of the projection is original, though at first glance, the same projection.
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TIME(LESS) – (UN)SPACE / EMOTION(SENSE)
An interactive sound and space installation will help the viewer to indicate the passing of individual moments. The work is intended to lead the viewer to be able to influence the real-time spatial situation in a way that would lead to different perceptions of space, time, and feelings. It is playing with reality and its perception itself.
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Circulation
The Light Circulation object is trying to point to the problems of ubiquitous and constantly repeating cycles. Lines passing through the space can be perceived as a set route or path, but it can also recall a movement without a clear goal, "wandering" in a circle. The cycle that is ubiquitous is then an individual contribution to the whole, and can be presented as a course of irregular curve full of dramatic twists, bouts and falls. In particular, the object responds to today's accelerated world and our constantly recurring life circles, the problem does not solve it, rather it is a statement.